who-wore-it-better:

Gregory Lehmann Essex St. Crossing :: Day Gleeson and Dennis Thomas Art of the Evicted

who-wore-it-better:

Gregory Lehmann Essex St. Crossing :: Day Gleeson and Dennis Thomas Art of the Evicted

kensabe:

Princeton. New Jersey.

kensabe:

Princeton. New Jersey.

elodieunderglass:

gimmeagoodcoldbeer:

ronin134:

revengeofthemudbutt:

armedplatypus:

whiskey-weather:

stonerdoomandbeagles:

shoothikedrinkfuck:

blazepress:

This three-legged decorated war hero had one leg lost to surgery after taking four rounds from an AK-47.

Bad. Mother. Fucker.

 Those eyes say “Pretend to throw the tennis ball. I dare you to only pretend.”

I think those eyes say a lot more than that. He’s seen more than I ever will, done more than I’ll ever do, and his war will never be over.

He’s got Ranger scrolls on his collar. That dog is a god damn hero.

I just noticed the Purple Heart and that Scroll.Wow. Just wow. The picture alone, in all it’s detail says a lot of things. god damn.

I can’t not reblog this dog… his youEyes say so much

I’ve never seen a dog with such a face like that. Like an old man who went to war and if you ask him about he just stiffens up and face turns to stone. 

Layka is a lady dog. Let’s remember that.
Now, it’s an understandable problem - our socialization instantly encourages us to see this rugged, sleek, military animal as a male. Three-legged hero dog with military decorations and stern-appearing eyes? TOTALLY A DUDE DOG, JUST LOOK AT HIM. It’s a programmed response, and nothing to be ashamed of - let’s just be accurate and note that Layka’s a female.
I’ve highlighted all the reblogs above where Layka is described as a hero, an old man, with male pronouns - rather than the fierce, charming heroine she is. It’s kind of a teachable moment: how does an image of an animal, displaying absolutely no secondary sex characteristics, instantly give us these fictional headcanons about its gender and gender performance? It’s an impressive demonstration of our ability to translate body language.
The photographer who took this compelling shot noted that Layka’s playful, bouncy energy made it nearly impossible for him to get a shot with her mouth closed! He ended up having to stop using the tennis ball he was using to get her attention, because it made her too excited and smiley. Based on the photos below, I think she’d have quite a sense of humor about the “where’s the tennis ball?” game!

Of course, the photographer did end up connecting with a fundamental aspect of Layka’s nature in the cover photo; her serious, soldier side. But that’s not all the animal is. Does the dog in the unused shots still resemble an “old man?” Is the dog in the unused shots male or female? Is it still a hero with its tongue out? Is it still admirable without a “face like stone?”
This is what I mean when I say that we have to examine the lenses of culture and society that we are always, always looking through when we talk about science biology.

elodieunderglass:

gimmeagoodcoldbeer:

ronin134:

revengeofthemudbutt:

armedplatypus:

whiskey-weather:

stonerdoomandbeagles:

shoothikedrinkfuck:

blazepress:

This three-legged decorated war hero had one leg lost to surgery after taking four rounds from an AK-47.

Bad. Mother. Fucker.


Those eyes say “Pretend to throw the tennis ball. I dare you to only pretend.”

I think those eyes say a lot more than that. He’s seen more than I ever will, done more than I’ll ever do, and his war will never be over.

He’s got Ranger scrolls on his collar. That dog is a god damn hero.

I just noticed the Purple Heart and that Scroll.
Wow. Just wow. 
The picture alone, in all it’s detail says a lot of things. god damn.

I can’t not reblog this dog… his you
Eyes say so much

I’ve never seen a dog with such a face like that. Like an old man who went to war and if you ask him about he just stiffens up and face turns to stone. 

Layka is a lady dog. Let’s remember that.

Now, it’s an understandable problem - our socialization instantly encourages us to see this rugged, sleek, military animal as a male. Three-legged hero dog with military decorations and stern-appearing eyes? TOTALLY A DUDE DOG, JUST LOOK AT HIM. It’s a programmed response, and nothing to be ashamed of - let’s just be accurate and note that Layka’s a female.

I’ve highlighted all the reblogs above where Layka is described as a hero, an old man, with male pronouns - rather than the fierce, charming heroine she is. It’s kind of a teachable moment: how does an image of an animal, displaying absolutely no secondary sex characteristics, instantly give us these fictional headcanons about its gender and gender performance? It’s an impressive demonstration of our ability to translate body language.

The photographer who took this compelling shot noted that Layka’s playful, bouncy energy made it nearly impossible for him to get a shot with her mouth closed! He ended up having to stop using the tennis ball he was using to get her attention, because it made her too excited and smiley. Based on the photos below, I think she’d have quite a sense of humor about the “where’s the tennis ball?” game!

Layka is so smiley in person that the photographer struggled to get her to pose "seriously."

Of course, the photographer did end up connecting with a fundamental aspect of Layka’s nature in the cover photo; her serious, soldier side. But that’s not all the animal is. Does the dog in the unused shots still resemble an “old man?” Is the dog in the unused shots male or female? Is it still a hero with its tongue out? Is it still admirable without a “face like stone?”

This is what I mean when I say that we have to examine the lenses of culture and society that we are always, always looking through when we talk about science biology.

powerpig:

Over the past year I have created 32 portraits of pop-culture characters using Lego, in a format that I call Brick Sketches. The first Brick Sketch (not pictured) was created as a fun tribute to the amazing marker sketches being produced by my artist friends Karen Hallionand Bamboota. However, response to my “sketch” was so strong that I was compelled to create more. By my third sketch, I’d locked down a consistent format (front profile on a 12x16 grid) and a framing device (the markers). Brick Sketches are certainly the most fun project series I’ve ever taken on, and I will continue to create them as long as I have both the inspiration and the wedge plates. 

powerpig:

Over the past year I have created 32 portraits of pop-culture characters using Lego, in a format that I call Brick Sketches. The first Brick Sketch (not pictured) was created as a fun tribute to the amazing marker sketches being produced by my artist friends Karen Hallionand Bamboota. However, response to my “sketch” was so strong that I was compelled to create more. By my third sketch, I’d locked down a consistent format (front profile on a 12x16 grid) and a framing device (the markers). 

Brick Sketches are certainly the most fun project series I’ve ever taken on, and I will continue to create them as long as I have both the inspiration and the wedge plates. 

archiemcphee:

Colossal, the Department of Incredible Insects recently encountered more photos of the fascinating work of French artist Hubert Duprat and his industrious Caddisflies (previously featured here).

"Right now, in almost every river in the world, some 12,000 different species of caddisfly larvae wriggle and crawl through sediment, twigs, and rocks in an attempt to build temporary aquatic cocoons. To do this, the small, slow-moving creatures excrete silk from salivary glands near their mouths which they use like mortar to stick together almost every available material into a cozy tube. A few weeks later a fully developed caddisfly emerges and almost immediately flies away."

Since the 1980s Duprat has been collecting caddisfly larvae from their normal environments and transporting them to aquariums in his studio. There he gently removes their own natural cocoons and puts the larvae in tanks filled with materials such as pearls, beads, opals, turquoise and pieces of 18-karat gold. The insects still do exactly what comes naturally to them, but in doing so they create exquisite gilded sculptures that they temporarily call home. If you saw them out of context, you’d never guess they’d been created insects.

Visit Colossal for additional images and video of Hubert Duprat discussing these amazing insects and their shiny, shiny creations.

The trouble with photography in general is that everything is interesting.
austinkleon:

Ann and Paul Rand’s studio, 1953

Between Ayn Rand and Rand Paul, I always end up doubletaking when I see references to Ann and Paul Rand.

austinkleon:

Ann and Paul Rand’s studio, 1953

Between Ayn Rand and Rand Paul, I always end up doubletaking when I see references to Ann and Paul Rand.

manpodcast:

These are five of the seven pictures Dorothea Lange took of Florence Thompson in Nipomo, Calif. in February, 1936. Thompson was a pea-picker and mother of seven children. Ever since Lange took her iconic photograph of Thompson — shown above in the best-known form, and at bottom in un-modified form (note the thumb in the lower right) — she’s been known as the Migrant Mother. These are five of the seven known Lange photographs of Thompson. Each is in the collection of the Library of Congress. 

Tonight most PBS stations will premiere an "American Masters" documentary on the life and work of Dorothea Lange. Titled "Dorothea Lange: Grab a Hunk of Lightning," the film looks at Lange’s life from her upbringing outside New York City, to her emergence as a major American photographer. Lange is best-known for her work chronicling the Dust Bowl era, but her oeuvre includes much more, including pictures of Depression-era labor strife, the internment of Japanese-Americans and early environmentalist documentary photography. Such was Lange’s stature that just after she died in 1966 the Museum of Modern Art devoted just its sixth retrospective of a photographer’s career to her work. 

Taylor was the lead guest on last week’s Modern Art Notes Podcast. She and host Tyler Green discussed the documentary and Lange’s life and work.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloudvia direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Reblog going for the thumb.

California food list

Original list:

  • Applewood Pizza (especially the Budapest)✔️
  • Fantasia✔️
  • Sushimaru✔️
  • Banana Crepe✔️
  • Gombei (both a special and the katsudon)✔️
  • Kabul✔️
  • Tacos✔️
  • Carnitas✔️
  • Korean BBQ✔️
  • Dim sum🚫
  • Orenchi✔️
  • Dasaprakash🚫
  • Pan dulce✔️
  • Lee’s✔️
  • Stan’s✔️
  • Pho🚫
  • It’s it🚫
  • Togo’s✔️
  • Tacos Jalapa✔️
  • In-n-out✔️
  • Fenton’s✔️

Not on the list because I forgot about them when making the list:

  • Pancho Villa’s✔️
  • Barbara’s Fish Trap✔️
  • Pinkberry✔️
  • Chalateco✔️

And a few other foods I was glad to get:

  • Sourdough
  • Sanddabs + fresh asparagus
  • Chowder + bread bowl
Think about it: Most people back then had limited interactions with people from China and other Asian countries. So playwrights and writers had to come up with a shorthand way of saying, “This is Chinese; this is Asian.” This building of a viewpoint — a viewpoint that in many ways is still with us, that people of Asian descent are intrinsically foreign — is echoed time and time again in various cartoons from the early 1900s that feature the riff: Someone, somewhere decided that this short musical phrase — and others like it — could represent an entire region or identity. And it stuck.

(Source: funny-gif-1)

greatleapsideways:

It was really strange to stumble across this black & white version of a recent Gregory Halpern photograph from his ongoing California project. I say strange because the photographs in that project are colour photographs, and somehow this one is not… The situation becomes stranger still when one considers that the photograph, as it was posted, is credited to Gregory Halpern (in the tags to the post), but looks nothing like the version he has published on his own site (see below).
The blog on which this mystery black & white version was posted seems to consist almost entirely of black & white images, which might suggest a strong preference at the very least. But if this image has been downloaded and converted to b/w, it can hardly be accredited to an artist who had nothing to do with its conversion, can it?
Something of a mystery…

Photograph © Gregory Halpern, from “California”.

Tumblr EXIF suggests the BW version is a scan. So maybe it was printed in BW in a book and scanned by the blogger?

greatleapsideways:

It was really strange to stumble across this black & white version of a recent Gregory Halpern photograph from his ongoing California project. I say strange because the photographs in that project are colour photographs, and somehow this one is not… The situation becomes stranger still when one considers that the photograph, as it was posted, is credited to Gregory Halpern (in the tags to the post), but looks nothing like the version he has published on his own site (see below).

The blog on which this mystery black & white version was posted seems to consist almost entirely of black & white images, which might suggest a strong preference at the very least. But if this image has been downloaded and converted to b/w, it can hardly be accredited to an artist who had nothing to do with its conversion, can it?

Something of a mystery…

Gregory Halpern "California" (in progress)

Photograph © Gregory Halpern, from “California”.

Tumblr EXIF suggests the BW version is a scan. So maybe it was printed in BW in a book and scanned by the blogger?